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Liquitex Clear Gesso is a very clear size and ground that keeps the working surface visible. Provides the perfect tooth and adhesion to a wide vari...

A Medium for Painters who prefer slower drying. Most artists show a strong preference for fast drying paint but there are some painters who want to...

This syrupy, heavy bodied liquid medium contains high solids. It promotes faster, more thorough drying of oils, increasing gloss and flow for ename...

A very fluid general purpose medium for reducing paint viscosity, and can be used at all stages in a painting which does not need gels. It can also...

A general purpose, low toxicity solvent which may be used as a safe replacement to gum and mineral turpentine for thinning paint and cleaning brushes.

The Masters Brush Cleaner and Preserver revitalises old brushes (natural or synthetic). It is non-petroleum based and is non-toxic with a fresh aro...

Chroma Incredible Brush Cleaner is ideal for revitalising old hard paintbrushes. This special formula is designed to break through hardened acrylic...

Gamblin Solvent-Free Gel is the only solvent-free painting medium that supports a broad range of painting techniques with minimal compromise. Solv...

Archival Oils Odourless Solvent has been a popular choice among Australian artists since its release in the 1980s, and now a new fast-drying ve...

Contemporary Oil Painting Medium Galkyd is an alkyd resin painting medium that increases the fluidity of oil colours and speeds their drying time. ...

Contemporary Oil Painting Medium NEO MEGILP Oil Painting Medium is a soft, silky gel. Neo Megilp maintains the body of the paint and produces a lu...

Contemporary Oil Painting Medium Cold Wax can be used to make oil colours thicker and more matte. A soft paste formulated to knife consistency, Ga...

Excellent solvent for thinning Gamblin mediums and for general painting, including studio and brush cleanup. Flashpoint 300 degrees F. Gamsol is 1...

Diluted with distilled water, PVA size is a contemporary size for fabric support. Conservation scientists recommend painters use neutral pH PVA s...

Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Formulated from alkyd resin, titanium dioxide and b...

Gamvar saturates and gives greater depth to the colours in your painting and gives your work a unified and protective satin surface. Developed in ...

Gamvar saturates and gives greater depth to the colours in your painting and gives your work a unified and protective satin surface. Developed in ...

Gamvar saturates and gives greater depth to the colours in your painting and gives your work a unified and protective satin surface. Developed in ...

Small -  Clear 3mm thick 23 x 30cm Large -  Clear 3mm thick 28 x 38cm

A slightly yellow oil, which is extracted without the use of heat. This can be added to colour to reduce the consistency, improve flow, and increas...

This Refined Linseed Oil from Winsor & Newton is once of their most popular oils. It is slower drying than the Cold Pressed Linseed Oil . It is...

A pale viscous oil that can be mixed with Turpentine or White (Mineral) Spirit to improve the flow and levelling of oil colour. Retards drying but ...

A drying oil for use with whites and pale colours, used to increase the drying rate.

The reliable favourite which continues to be our most popular liquid alkyd medium. A general purpose low gloss medium which improves flow and trans...